Remnants of Dust

Sound installation examples - inspo for my design ideas

L-R

Connie Beckly - The Note / Balancing Scales

Susan Philipsz - The Missing String / White Flood / Sleepclose and Fast / Part File Score

Samson Young - Real Music

Susan Hiller - Witness / Thoughts are Free

Annea Lockwood - Wild Energy

Sin Wai Kin (Victoria Sin) - And at the pinnacle, the foot of a mountain

Janet Cardiff -Forty-Part Motet / Whispering Room

Paul Cocksedge - Sesto Senso

Singing to the seaweed - score responses (updated)

I invited some musicians/composers to interpret to the Singing to the Seaweed score. Passing the score on to someone else, its a reinterpretation of a place and an experience. Feelings and sensations re-imagines. What does that open up? Do I invite more people to interpret the score? How does this fit into my wider work? Where does it fit conceptually? I am not sure where to go with this thread next.

Singing to the seaweed by Nicholas Escobar

Listen here

He used shells, synthesizers, distorted soundscapes amongst other sounds to make the piece.

Cuppa by Joe Coghill

Listen here

My original sound peice

Listen here