MURKY HORIZONS, (2020- ongoing)

Read an article about the project in The Tide

In this interdisciplinary, expansive research project I use embodied fieldwork comprising of deep listening, walks and field recordings. Heavily inspired by Wardie Bay Beach in North Edinburgh, this project is ever-evolving to encompass multiple works which address rising sea levels.

FOR PORTOBELLO, 2050 (2021)

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COSMOLOGICAL STARFISH (2021)

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Singing-to-the-seaweed2.jpg

SINGING TO THE SEAWEED (2021)

Collaborative EP (above)

 

A collection of responses to a collaged score (pictured) created for and with a drowning beach. Invited artists have made these sound works as intuitive reactions, reimagining an eerie and unpredictable landscape. The score, created by Joanne Matthews is a visualisation of the original sound work (track 3) which was created after a deep listening session in sea haar and site-responsive singing on a harbour wall.

Released May 19, 2021. Featuring sound works by, Nicholas Escobar, Ewan Pearce and Ezra Berrnico, Joanne Matthews and Joe Coghill

A DROWNING OUT (2020)

A series of 8 digital photographs (above)

MURKY HORIZONS AUDIO PERFORMANCE (2020)

(below)

CHAPTERS

00 mins 00 sec: A softening of the rocks / 02 mins 34 secs: Seabird interlude / Murky Horizons: 03 mins 06 secs / 04mins 37 secs: I am covered in salt / 07 mins 45 secs: Gasping for breath interlude  / 07 mins 53 secs: A Drowning Out / 09 mins 14 secs: Singing to the seaweed