Updated: Apr 28
Sketches 1&2 are ideal installations that would use the speakers pictured below...
Setup 1 The audience is sat in a chair behind a curtain, this will increase the intimacy and attention they give to the sound work. The lighting is two spotlights to increase the drama of the space and heighten the sense. The speakers hang from the ceiling and sit at head height, the audience is meeting the sound.
Setup 2 Does a similar thing to set up 1 but having the audience stood up, in a larger space gives more freedom for them to walk around the sound, again giving them another perspective on the work and a choice to move into the shadows of the space that not in the spotlight.
Setup 3 This sketch is an adaptation, which uses speakers on stands that are likely to be available at ECA.
Updated: Feb 25
The scores from 'Singing to the Seaweed' from 'Mukry Horizons' in my previous post need be stripped of the sound wave, its too technical, too distracting, the sound waves give too much away. Locating the work, with a photo perhaps could be something that would be more appropriate.
These are squished and rough, ideally, they would be printed in large format, these have been scanned in and collaged on photoshop
Updated: Mar 12
The start of an experiment I am doing with a recording that I did during windy snowfall out of my window. The place that I recorded is somewhat sheltered, but the high winds were just in the distance, visible in the lights of the lampposts next to the sea.