Updated: Mar 30
I invited some musicians/composers to interpret to the Singing to the Seaweed score. Passing the score on to someone else, its a reinterpretation of a place and an experience. Feelings and sensations re-imagines. What does that open up? Do I invite more people to interpret the score? How does this fit into my wider work? Where does it fit conceptually? I am not sure where to go with this thread next.
Singing to the seaweed by Nicholas Escobar
He used shells, synthesizers, distorted soundscapes amongst other sounds to make the piece.
Cuppa by Joe Coghill
My original sound peice